FEATURED STORIES

CAL IN RED BRING INDIE POP TO MID-MISSOURI

The brothers were able to pull the crowd into an immersive experience that felt both effortless and passionate. Starting with tracks like “Zebra” and “Boyfriend”, the crowd seemed locked in from the beginning. Fans appeared especially excited to see the band perform in a smaller venue, a space where the music felt close and the connection between artist and audience was more tangible.

CHLOE STAR KEEPS THE MOMENTUM GOING WITH "EMERGENCY CONTACT"

Kaihli Mitts | March 31, 2026

SACE6 UNVEILS DARK-POP SINGLE AHEAD OF DEBUT ALBUM

Kaihli Mitts | March 12, 2026

LIVEALIE AND THEIR JOURNEY THROUGH THE STATIC

Kaihli Mitts | April 15, 2025

THE 1975 ARE ON TOUR AND STILL... AT THEIR VERY BEST

Kaihli Mitts | November 16, 2023

WHAT HAPPENED AT THE BAND CAMINO'S HALLOWEEN SHOW?

Kaihli Mitts | November 14, 2025

FROM BALCONY TO BARRICADE – MY YEAR IN LIVE MUSIC

Kaihli Mitts | December 20, 2025

CAL IN RED BRING INDIE POP TO MID-MISSOURI

Kaihli Mitts | March 5, 2026

I LISTENED TO 'SO CLOSE TO WHAT' 14 TIMES... HERE'S MY RANKING

Kaihli Mitts | February 24, 2025

THE LAST GOODBYE: ROLE MODEL CLOSES THE CHAPTER ON HEARTACHE

Kaihli Mitts | February 16, 2025

MAGGIE LINDEMANN'S NEW EP IS TO 'DIE FOR'

MAGGIE LINDEMANN'S NEW EP IS TO 'DIE FOR'

Kaihli Mitts | March 18, 2024

CHASE ATLANTIC EXPANDS THEIR SOUND WITH 'LOST IN HEAVEN'

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Kaihli Mitts | October 24, 2025

STRAY KIDS LEFT US "SPEECHLESS, WORDLESS" WITH THEIR NEW ALBUM

STRAY KIDS LEFT US "SPEECHLESS, WORDL

Kaihli Mitts | November 14, 2023

P1HARMONY IS "KILLIN' IT" WITH THEIR NEW ALBUM

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Kaihli Mitts | February 22, 2024

LIVEALIE AND THEIR JOURNEY THROUGH THE STATIC

Kaihli Mitts | April 15, 2025

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CHLOE STAR KEEPS THE MOMENTUM GOING WITH "EMERGENCY CONTACT"

Kaihli Mitts | March 31, 2026

SACE6 UNVEILS DARK-POP SINGLE AHEAD OF DEBUT ALBUM

#COMMUNITY IS ROLE M

Kaihli Mitts | March 12, 2026

#COMMUNITY IS ROLE MODEL'S NEW COVER

Kaihli Mitts | September 27, 2024

OLIVIA RODRIGO DROPPED SECRET SONGS, AND FANS ARE LOSING IT

Kaihli Mitts | September 19, 2023

#COMMUNITY IS ROLE M

8 WOMEN WHO REVOLUTIONIZED ROCK MUSIC

8 WOMEN W

Kaihli Mitts | September 11, 2024

EVOLVING SOUNDS AND EXPANDING VOICES WITHIN THE WORLD OF PUNK

Kaihli Mitts | November 30, 2024

"GUARDIANS OF THE GALAXY" REDEFINED WHAT MUSIC MEANS TO MOVIES

Kaihli Mitts | October 31, 2024

8 WOMEN W

"GUARDIANS OF THE GALAXY" REDEFINES WHAT MUSIC MEANS TO MOVIES

By: Kaihli Mitts

The Marvel Universe has played a huge part in our culture for decades. The Guardians of the Galaxy franchise is a big part of that universe, director/writer James Gunn's carefully curated soundtrack is a big part of the Guardians galaxy.The conceit of the film is that the hero, Peter Quill (Chris Pratt) carries a mix tape of ancient pop tunes wherever he travels in space. His Awesome Mix tapes have broken out of the film series and become a staple in pop culture.Quill's Awesome Mix Vol. 1, a gift from his long-deceased mother, is the soundtrack to his life. It helps him navigate loss, homesickness, and love. It also helps Pratt's Quill connect with the audience. The songs convey his thoughts and emotions, which can run deep even though these films are comedies.

When I think of Awesome Mix Vol. 1, my mind jumps to “Come and Get Your Love,” by Redbone, and “Escape (The Pina Colada Song),” by Rupert Holmes. When I hear these songs on shuffle or on the radio, they take me right back to the first movie, in which they play big roles. Each song bridges the gap between Peter’s past, present, and future. Quill ties most of the songs to his mother and his feelings of loss. But he also shares these tracks with his new friends as he looks to the future and their adventures together.Fans, critics and movie insiders loved Awesome Mix Vol. 1. It won Best Soundtrack in November of 2014 at the Hollywood Music in Media Awards. It was nominated for Best Soundtrack at the American Music Awards that same year, and for
Billboard Music Awards in 2015 and 2016 and a Grammy 2015.
The success of the first soundtrack drove Gunn to curate something even better for the sequel. Gunn's selections -- of diverse songs everyone already knows and loves -- for this film uncovered emotional layers of Quill and of some supporting characters.Awesome Mix Vol. 2 brings us tracks such as “The Chain,” by Fleetwood Mac, and “Mr. Blue Sky,” by Electric Light Orchestra. These songs pile on top of the nostalgia established in the first Guardians of the Galaxy movies, even as they deepen the emotional challenges the adventurers face while fighting enemies on another planet.In the most recent film, Guardians of the Galaxy Vol. 3, music takes on an even more prominent role. In the first movie, music was near and dear to Quill. As story arc unfurls over all three films, the musical arc takes in the whole team. These songs express the emotions, themes, and growth of the guardians in both in their personal lives and in their group dynamics as they work to overcome whatever challenges they encounter. “In The Meantime,” by Spacehog, and “Dog Days Are Over,” by Florence + The Machine, for example, reflect the feelings of redemption and unity the characters experience redemption and unity on their journey.

In addition to the pre-existing songs, Tyler Bates composed underscoring for the film. Bates and Gunn joined forces to use the power of music to appeal to a wide range of audiences across the globe. They mixed popular and niche artists and new material to cover all the bases when curating the soundtrack and producing the score.Without the soundtrack, Guardians of the Galaxy wouldn’t leave its mark the same way. Sure, it would still be an award-winning film, but the emotional impact of each scene would be significantly different without the musical support it.The Guardians of the Galaxy soundtrack has served its purpose: To enhance the films' nostalgia, connections among characters, connections between characters and audience, sense of adventure, and humor. I watched all three films to understand the value of music to the franchise. Fans love the soundtrack, and I can see and hear why.

EVOLVING SOUNDS AND EXPANDING VOICES WITHIN THE WORLD OF PUNK

By: Kaihli Mitts

Punk has always been a timeless classic when it comes to style, culture, and music. Known for its grunge sound and confrontational lyrics, this genre of music has always been known to push boundaries while amplifying the voices of both artists and fans.Punk has transformed and grown as new generations have emerged but stayed true to its 1970s roots. Bands such as Pierce the Veil, Paramore, Bring Me The Horizon, and Spiritbox have gained popularity spanning from 2010 to now. They have shaped and created the many sub-genres now beneath the punk umbrella. Today’s punk scene is experimental, inclusive, innovative, and paving the way for future decades.Pop-punk, metal, and emo are just a few sub-genres that have emerged over the years. They vary in instrumentation, levels of aggression, and structure of melody. These sub-genres are experimental. They have reflected cultural shifts and movements and taken on such topics as mental health, identity and inclusivity.

In recent years, electronic elements have become increasingly prominent as the genre expanded. Current bands have tended to add more effects and layers to their music, and that's a sign of the times. It demonstrates growth since punk's inception in the 1970s. Modern punk has adopted autotune and heavy production, which have freshened the 50-year-old genre, and kept it far from withering away into something we used to know. The experimental aspect we have seen happen right before our eyes proves that punk is limitless, letting artists have freedom to create whatever they want with no boundaries, but can still call punk their musical home.Increased female representation within punk (and more general rock culture) has also driven this traditionally male-dominated punk to evolve.It turns out that women can, indeed, deliver the intensity that some believed to be beyond female musicians. Hayley Williams, of Paramore, and Courtney LaPlante, of Spiritbox, are two of the most influential women in rock music. Both have not only taken the stage by storm, but have led the genre down the road of inclusivity. They have pushed boundaries in ways that would have been impossible 20 years ago. Hayley Williams has shown, over several years, albums and projects, that women can be powerful and authentic in the punk world. Courtney LaPlante has shown that metal screaming and powerful vocals aren’t reserved for the men of rock. In doing so, they have shown that punk has a future.

These two women (and many more) are prime examples of punk opening its arms to inclusivity. Female fans and artists can now see themselves represented within the genre and feel more comfortable embracing the punk scene, which is now rich with a wide range of voices, personalities, and experiences.The future seems wide open. Since its birth in the '70s, punk has become a common genre across the globe, reaching listeners worldwide instantly each and every day. The growing popularity of the social media app TikTok has allowed for emerging artists and growing fanbases, making it incredibly simple for small artists to gain traction and for fans to find them with the click of a button. Social media will likely play a huge part in what the future means for punk culture.

Sub-genres will continue to emerge, as artists strive to include niche instruments and elements within their music to push boundaries and break down any barriers. As social issues grow and change more every day, younger generations will take advantage of this. Whether it be grunge, pop-punk, emo, or metal, younger generations will continue to use music as an outlet to project their experiences and opinions, just as past generations have.From the 2010s to 2024, punk has gone through a whirlwind journey. The genre has opened its doors even more to inclusivity and innovation, while still remaining rebellious and confrontational. As fans and artists continue to redefine what it means to be punk, a path is being paved for the future of the genre and its community of artists and fans.


MEET THE TEAM

Kaihli Mitts

Founder, Editor-in-Chief

Camryn Elliott

Social Media Manager

Calvin Letterman

Staff Writer

Samia Fouché

Staff Writer

Karlee Anna

Concert Photographer


ABOUT Samia Fouché

Samia Fouché is a recent grad of the University of Missouri, currently participating in the Disney College Program and working in Disney’s Animal Kingdom. She’s a lover of all things music, entertainment and writing; the perfect combo for a Volume Ctrl Media writer! In her free time, you can find her vlogging, reading fanfiction and streaming ATEEZ <3


coming soon


ABOUT KARLEE LYONS

Karlee Lyons is a 17 year old trying to make her way as a concert photographer. When she's not taking photos you can find her at the movie theater, whether she's working or just catching the newest release!


coming soon


ABOUT CALVIN LETTERMAN

Calvin Letterman is a Freshman at Metropolitan Community College - Blue River who is studying Political Science. He is passionate about hip-hop, hiking, and the New York Knicks. Calvin enjoys spending time at the gym and playing pickleball.


coming soon


ABOUT KAIHLI MITTS

Kaihli Mitts is a music journalist and concert photographer passionate about capturing the stories behind the sound and moments that make music feel personal.She holds a Bachelor of Journalism with an Emphasis in Strategic Communication. She has bylines in Her Campus Media, covering artists, albums, and live music across genres.


SACE6 UNVEILS DARK-POP SINGLE AHEAD OF DEBUT ALBUM

Kaihli Mitts | March 12, 2026

LIVEALIE AND THEIR JOURNEY THROUGH THE STATIC

Kaihli Mitts | April 15, 2025

WHAT HAPPENED AT THE BAND CAMINO'S HALLOWEEN SHOW?

Kaihli Mitts | November 14, 2025

WHO WE ARE

From in-depth reviews and artist interviews to concert coverage and live photography, VOLUME CTRL highlights both emerging talent and established acts shaping today’s music scene.This platform serves as both a publication and a collective effort, showcasing work by individuals in music journalism, photography, and digital media.Whether you’re an artist, publicist, or fellow music lover — welcome to VOLUME CTRL.


CAL IN RED BRINGS INDIE POP TO MID-MISSOURI

By: Kaihli Mitts

Sometimes the best concerts are the ones you walk into without knowing exactly what to expect. At Cal in Red’s recent show in Columbia, Missouri, a night of indie rock turned into a dreamy pop experience.The evening opened with Last Common Ancestor, a band formed locally in 2024, who set the tone for the night with a lively set. Their sound leans into indie and alternative rock, driven by bright guitar and steady percussion that quickly pulled the early crowd in. Even as people continued to fill Rose Music Hall, the band commanded attention, building momentum in the room and warming up the audience for the night ahead. Their stage presence felt confident and engaging, making them a fitting opener for Cal in Red. The quartet helped establish the relaxed energy that carried throughout the night.

As anticipation grew, the atmosphere shifted. Cal in Red was set to take the stage at around 9 p.m. and excited fans filled the small venue, eagerly waiting for the band to begin. The duo consists of Connor and Kendall Wright from Grand Rapids, Michigan. Known for their hazy guitars and nostalgic sound across several singles and EPs, they put out their debut full-length album in the summer of 2024.The brothers were able to pull the crowd into an immersive experience that felt both effortless and passionate. Starting with tracks like “Zebra” and “Boyfriend”, the crowd seemed locked in from the beginning. Fans appeared especially excited to see the band perform in a smaller venue, a space where the music felt close and the connection between artist and audience was more tangible.Layered guitars and steady rhythms filled the room, while the duo’s relaxed stage presence made the performance feel intimate rather than overly polished. Instead of relying on elaborate production, the focus stayed on the music itself, with a blend of guitars, vocals, drums and keyboard carrying the set, a perfect blend for Rose Music Hall.

The setlist itself was a blend of their most known songs to some only dedicated fans might know. Tracks that might feel mellow through headphones expanded into fuller moments, shaped by the instruments and acoustics of the venue. Cal in Red created a dreamy yet energetic atmosphere that kept the audience engaged throughout the performance.Even for listeners unfamiliar with the band’s discography, the performance was easy to settle into. The melodies were catchy without feeling predictable, and the pacing balanced softer moments with more upbeat songs.Cal in Red’s live show captured what makes indie pop appealing: authenticity, connection and music that feels both nostalgic and fresh.For anyone discovering the band for the first time, the concert proved that sometimes the best way to become a fan is simply seeing the music come to life on stage.


SACE6 UNVEILS DARK-POP SINGLE "COVET" AHEAD OF DEBUT ALBUM

By: Kaihli Mitts

This week, alternative duo sace6 has been anything but quiet on social media. Between Monday and Wednesday morning, the band shared two teasers hinting at a new track set to release Wednesday night. Previously performed during their set at Warped Tour in Orlando, fans had been eagerly waiting for the studio version to arrive.Titled “covet,” the song leans into a dark-pop sound that fits seamlessly into the duo’s evolving discography. While rock elements still appear throughout — most noticeably in the chorus — the track feels noticeably softer than songs like “said & done” and “ego,” their January release.

Following the release of “ego,” the band announced it had signed with Sumerian Records, a label home to artists such as Poppy, Bad Omens and I See Stars.Shortly after the new track appeared on Spotify and other streaming platforms, the duo went live on TikTok to answer fan questions — and ended up revealing more than expected. During the livestream, a fan pointed out that a full tracklist had appeared online, asking if it was “meant to be there” before the band confirmed the news nonchalantly.

The album, titled Brutalist, is set to release May 8, just a week after the band returns to the road. sace6 will join Dayseeker as a support act on the nearly sold-out The Pale Moonlight Tour throughout May 2026. If you’re already attending a show, be sure to arrive early. It might be your first chance to hear what the duo’s next era has in store, before headlining a tour of their own.


Chloe Star Keeps the Momentum Going with “Emergency Contact”

By: Kaihli Mitts

Breaking into the industry in 2023, Chloe Star has steadily established herself as a rising presence in the alternative pop scene. The independent artist’s latest single, “Emergency Contact,” released March 30. This marks her third release of 2026 and signals a continued period of creative momentum. With each track, Star has further defined a sound that blends introspective lyricism with polished production.“Emergency Contact” opens with a steady backbeat paired with guitar, immediately setting an understated tone. Star’s vocals enter with an emotive delivery, supported by subtle layering that adds depth to the track. The arrangement allows each element to breathe and contributes to the track’s cohesive, intimate feel.

The chorus stands as the song’s focal point, driven by a melodic hook that is both immediate and catchy. Rather than relying on dramatic shifts, the track builds through consistency, creating a sense of emotional resonance that lingers beyond the first listen. Additionally, a track that you can’t help but sing to yourself throughout the day, making it simple but unforgettable.As a whole, “Emergency Contact” highlights Star’s growing confidence as both a songwriter and performer. Its balance sonically sets itself up comfortably within the alternative landscape while maintaining a distinct identity. As her third release of the year, the single reinforces the sense that Chloe Star’s upward trajectory is only just beginning.

Photo by Kai Dickson

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